Chef's Night Out: Eating For Inspiration

Through their four books, authors Andrew Dornenburg and Karen Page have offered a unique chef’s-eye view of the contemporary American culinary world. Their first book, Becoming a Chef, is a realistic look at what it takes to become a chef and the routes that various well-known chefs have traveled; it won the 1996 James Beard Book Award for Best Writing on Food. (A technologically up-to-date second edition of Becoming a Chef is already in the works.) Culinary Artistry and Dining Out dealt with the working creativity of chefs and food criticism, respectively. Their fourth and latest effort, Chef’s Night Out (to be published by John Wiley & Sons in March), is both a paean to the important role that dining out plays in a culinary education and a city-by-city directory of the restaurants where chefs most like to eat.

“Everyone always asks chefs the same question,” says Page, “ ‘Where do you like to eat?’ We wanted to gather the answers in one place.” Dornenburg and Page stress the educational aspects of eating out, for culinary students, home cooks and even for chefs who are already at the top of their profession. “The more we spoke with chefs, the more we heard that eating out is as important to their education as going to cooking school,” says Page. “Eating the best version of something, whether it be pizza or oysters, is an education for the palate.” Chefs also credited dining out with teaching them to see their own restaurants from the customer’s perspective.

Even chefs with elaborate styles look for inspiration in a wide range of restaurants, often eschewing the haute in favor of the offbeat. Dornenburg explains, “Chefs do eat at four-star restaurants, but they usually visit the big guns, such as Restaurant Daniel, only once a year or so, to see what people at the top are doing.” The chefs’ choices bear out Dornenburg’s observation. While Paul Bertolli of San Francisco’s Oliveto names Chez Panisse as an inspiration (as does nearly every chef interviewed), he also recommends a taco truck in Oakland, and George Germon and Johanne Killeen, chef-owners of Providence’s Al Forno, enjoy lunching at Mike’s Kitchen in the VFW hall in Cranston, Rhode Island. “Uglesich Restaurant in New Orleans is supposed to be a total dive,” says Page, “but it’s famous for its oysters and seafood. Everyone, from Chef Todd English [Figs and Olives] to Chef Charlie Trotter [Charlie Trotter’s] to Chef Anne Rosenzweig [The Lobster Club] drools over it.”

Many of the chefs interviewed for Chef’s Night Out recall seminal restaurant experiences at very early stages in their lives. A 12-year-old Rick Bayless saved up his own money (“The notion of eating in a really fine restaurant was beyond the scope of my immediately family.”) and took the bus to downtown Oklahoma City to eat vichyssoise and flank steak in a meal he describes as “a benchmark.” For Cindy Pawlcyn of San Francisco’s Real Restaurants, it was a soft-shell crab sautéed table side when she was 16 that provided the light-bulb moment. And at 17, Allen Susser of Miami restaurant Chef Allen’s was inspired by a meal at La Grenouille in New York to move to France and work in a restaurant kitchen.

Dornenburg and Page admit to being taken aback by the number of chefs who cop to eating fast food. Picholine’s Chef Terrance Brennan indulges in the occasional Big Mac, and Chef Patrick O’Connell of the Inn at Little Washington eats chicken breasts from Burger King and baked potatoes from Wendy’s (although he does so apologetically, noting that “When you live in such an odd place [like Washington, Virginia], you’ve got to make do.”) Still, Dornenburg hopes this book will serve as an antidote to the last-resort stop at a drive-through. “On the road, if there’s a family-owned restaurant nearby, that’s always our choice. We’ll even change our schedule to visit a pizza parlor owned by a family rather than a chain. Lots of people don’t know about those places though. Now they can use Chef’s Night Out to find out about them.”

Chef’s Night Out works as a guide for just about anyone traveling in the United States, but Page and Dornenburg specifically address culinary students. Not only are they encouraged to read the opening chapters on the importance of tasting food, but some of the proceeds from the book will go towards Page and Dornenburg’s dinership program: a series of mini-grants designed to enable culinary students to eat at well-known restaurants. After their meals, participants write brief essays in order to share their experiences with other students and instructors. Peter Kump’s graduate Renee Schuler was one of the first dinership recipients, and her essay appears in the book. She describes the details of her meal at Le Bernardin, from savoring the richness of lobster bisque with truffles to learning that two ingredients simply presented, in this case yellowtail tuna and leeks in vinaigrette, can have an explosive effect.

“The dinership program was inspired in part by Julia Child,” says Page. “She often tells a story about when she was living in Paris and her parents’ friends would come to visit. They’d go out to Michelin three-star restaurants, and then they’d call her and say, ‘Take us to the little places where you like to go.’ When Child tells the story, she always says, ‘Think how wonderful it would have been for me to go to some of those three-star restaurants.’ We’re trying to generate sympathy for the plight of the aspiring chef, who doesn’t make a lot of money and works hard and can’t have the experiences that other people take for granted.”